
The expansiveness of Mak’s repertoire winds its way through a dizzying array of approaches, from music of the baroque and renaissance (for which he received praise from Washington Post) to music of a cinematic nature, ethnic music of his native Balkan Peninsula, and extreme avant-garde and microtonal music. Mak Grgic is a classical guitarist and one of the founders of Eurostrings, the European Guitar Festival Collaborative. You would immediately become aware of the polarity of two different styles of music on the same instrument, and also raise awareness for classical guitar.

For example, you can invite someone like Jeff Beck to the festival and program an opener for him that is a classical guitarist. It can open doors in terms of festival programming.

You can educate classical guitarists in other styles of music. It’s definitely not restrictive - it is educational. Do you see EuroStrings as restricted to only classical guitar music? In this second part of the EuroStrings series, Mak Grgic shares his perspectives on maximizing exposure for the festivals and its young competitors and how the EuroStrings program motivates and educates young classical guitarists. The festival, in EuroStrings co-founder Mak Grgic’s eyes, can go even beyond the classical style to popularize classical guitar and bring in wider audiences.
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EuroStrings goes beyond the festival programming to offer educational and professional opportunities to the next generation of classical guitarists.

Bringing the guitar festival into the new age is one thing, bringing up the next generation of classical guitarist is another.
